IMOK

New York
USA



///credits///

BRANDING: Soyon

EXECUTIVE PRODUCER: Lucien Bolliger

PRODUCER: Nhi Hoang

ART DIRECTOR: Trinh Thai

PHOTOGRAPHER: Thanh Ho

CG VISUALISER: Ngoc Do

HANGING ARTWORK: Marcello Castellani

For this project we were commissioned to visualise an interior design concept showcasing a single hotel room. Together with the branding agency Soyon, we decided to draw upon the concept of “aesthetic emotions” and exhibit the room based on the state of mind of its occupier. By doing that, we had actually created an overall concept that could be expanded into a full campaign further down the track.


    From the outset, we decided against stereotypical hospitality imagery – relaxation and happy blue-sky ambiences were not part of our considerations. In the absence of actual view photos, we decided to look for a visual solution that avoids showing the exterior views. We considered various emotions ranging from the tried and proven marketing concept of nostalgia, to loneliness, sadness, disappointment, grief, and all the way to depression. Ultimately, we settled on an emotion that allowed us to create our mooted visual language, yet that offered a glimmer of hope and positivity-Melancholy. To us, there was something deep rooted beautiful in this emotion.


    To support this campaign, we teamed up with Photographer Than Ho to capture the subject’s sadness and longing encompassed within a reflective, solidary state of mind. Enclosed an excerpt of the CG images created for this campaign. We are also showcasing three draft images (image #2-4) that were ultimate not used but showcase our intention beautifully... we envisioned to replace the person with an original artwork... for our concept draft we used an existing artwork by Columbian artist Marcello Castellani to test out our idea. His breathtaking artwork oozed a feeling that deeply mesmerised us. To avoid making this scene too dark and depressing, we lightened up the outdoor light ever so slightly to balance the overall mood. We loved the outcome, but after much deliberation we ultimately conceded that Marcello Castellani’s artwork completely owned the scene, and we didn’t think that we or any other of the painters we work with could come even close to creating an original artwork that would fit this well into our scene. As such we eventually decided against using these three compositions.